MORALES, Luis de
Spanish Mannerist Painter, ca.1520-1586 Spanish painter. The origins of his highly individual style are complex. His meticulous technique and the prominent echoes of the style and forms of Leonardo da Vinci and Raphael indicate the formative influence of Italianizing Flemish painters. This accords with Palomino's statement that Morales was trained in Seville by the Flemish Mannerist painter Peeter de Kempeneer (known in Spain as Pedro de Campara), who is recorded in Spain from 1537. It has been suggested that Morales visited Italy c. 1540, but this seems most unlikely.
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MORALES, Luis de Ecce Homo oil painting


Ecce Homo
Panel Hispanic Society of America, New York
Painting ID::  8272 		MORALES, Luis de
Ecce Homo
Panel Hispanic Society of America, New York
   
   
     
MORALES, Luis de Madonna with the Child gg oil painting


Madonna with the Child gg
c. 1570 Wood, 84 x 64 cm Museo del Prado, Madrid
Painting ID::  8273 		MORALES, Luis de
Madonna with the Child gg
c. 1570 Wood, 84 x 64 cm Museo del Prado, Madrid
   
   
     
MORALES, Luis de Madonna with the Child sh oil painting


Madonna with the Child sh
Oil on wood, 71,5 x 52 cm The Hermitage, St. Petersburg
Painting ID::  8274 		MORALES, Luis de
Madonna with the Child sh
Oil on wood, 71,5 x 52 cm The Hermitage, St. Petersburg
   
   
     
MORALES, Luis de St Stephen agy oil painting


St Stephen agy
Panel, 67 x 50 cm Museo del Prado, Madrid
Painting ID::  8275 		MORALES, Luis de
St Stephen agy
Panel, 67 x 50 cm Museo del Prado, Madrid
   
   
     
MORALES, Luis de Madonna and Child with Yarn Winder oil painting


Madonna and Child with Yarn Winder
mk65 Oil on canvas transferred from panel 28x20 1/2"
Painting ID::  29146 		MORALES, Luis de
Madonna and Child with Yarn Winder
mk65 Oil on canvas transferred from panel 28x20 1/2"
   
   
     
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     MORALES, Luis de
     Spanish Mannerist Painter, ca.1520-1586 Spanish painter. The origins of his highly individual style are complex. His meticulous technique and the prominent echoes of the style and forms of Leonardo da Vinci and Raphael indicate the formative influence of Italianizing Flemish painters. This accords with Palomino's statement that Morales was trained in Seville by the Flemish Mannerist painter Peeter de Kempeneer (known in Spain as Pedro de Campara), who is recorded in Spain from 1537. It has been suggested that Morales visited Italy c. 1540, but this seems most unlikely.

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